Hitchcock currently works in multimedia, including neon, textiles, printmaking, sound, and video, to reclaim narratives of resilience and survival. He uses visual storytelling to understand his relationships with community, land, and culture. Abstract representations, language, and intense colors reference his Kaku’s (Comanche grandmother’s) beadwork and childhood memories of growing up in the Wichita Mountains of Oklahoma on Comanche Tribal lands next to the US field artillery military base Ft. Sill. Many of the images are interpretations of stories told by his Kiowa and Comanche grandparents, as well as abstract representations influenced by beadwork and intercultural identities. Embracing contemporary materials and creative practices while honoring his ancestors, he presents a celebratory aesthetic of cultural hybridity and survival.